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Category Archives: News

The Multiple Store – The Last Editions

Our final show THE LAST EDITIONS at The Koppel Project Hive, 26 Holborn Viaduct, EC1A 2AQ London, has now closed.

We are very thankful to all the artists, collectors, supporters and to everyone who came to see the exhibition as well as The Koppel Project for hosting us!

We have a small number of editions that will still available for a limited period of time. Contact us as soon as possible if you are interested in any of the works as many of the editions are now sold out or only one work is left.

E – info@themultiplestore.org

T: +44 (0) 7760 666 518 or +44 (0) 20 8735 2828

Note the list of works below may now not be completely up to date so if you are interested, do contact us as soon as possible. All orders are accepted subject to availability.

 


 

Edition of 30

This edition is sold out.

 

 

 

Edition of 35

£ 1,000  (inc. VAT).

Numbers in stock:  14/35. Others can be made to order, 4 weeks approx.

To order, contact us at info@themultiplestore.org.

 

 

Edition of 100

£ 2,250 (inc. VAT).

Numbers available: 62/100, 63/100

To order, contact us at info@themultiplestore.org.

 

 

 

 

Edition of 65

£950 (inc. VAT).

Numbers available: Last 7 left (see list below)

To enquire about titles and to order, contact us at info@themultiplestore.org.

978-1-907118-10-4 Night Reader

978-1-907118-11-1 Head Stone
978-1-907118-12-8 Scissors, Stone, Paper
978-1-907118-17-3 The Smiling Skull
978-1-907118-18-0 The Glass Word
978-1-907118-20-3 The Crashed Story
978-1-907118-27-2 Gun Metal Card

Edition of 45

£950 (inc. VAT).

Numbers available: 7/45, 8/45, 9/45, 10/45

To order, contact us at info@themultiplestore.org.

 

 

 

Edition of 50

£1,750 (inc. VAT).

Numbers available: 35/50, 36/50, 37/50, 38/50

To order, contact us at info@themultiplestore.org.

 

 

 

Edition of 50

£1,400 (inc. VAT).

Numbers available: 9/50, 13/50, 14/50, 15/50, 18/50

To order, contact us at info@themultiplestore.org.

 

 

Edition of 25 (of each material)

Ceramic only: £ 1,100 (inc. VAT).

Numbers available: Ceramic 9/25, 13/25, 14/25, 15/25

To order, contact us at info@themultiplestore.org.

 

 

 

Edition of 45

£700 (inc. VAT).

Numbers available: 1/45, 2/45, 3/45

To order, contact us at info@themultiplestore.org.

 

 

 

Edition of 25

This edition is sold out.

 

 

 

 

Edition of 30

£1,100 (inc. VAT).

Can be made to order, 4 weeks approx.

To order, contact us at info@themultiplestore.org.

 

Edition of 50

This edition is sold out.

 

 

 

 

Edition of 35

£1,000 (inc. VAT).

Numbers in stock: 9/35. Others can be made to order, 4 weeks approx.

To order, contact us at info@themultiplestore.org.

 

 

Edition of 35

£1,450 (inc. VAT).

Numbers available: 24/35, 27/35, 29/35

To order, contact us at info@themultiplestore.org.

 

 

 

Edition of 15 (of each island)

£ 550 each / £1,950 set of four (inc. VAT)

Numbers in stock: Anger: 7/15; Luck: 7/15; Desire: 7/15, 8/15; Regret:7/15, 8/15; Others can be made to order, 4 weeks approx.

To order, contact us at info@themultiplestore.org.

 

Edition of 50

 

This edition is SOLD OUT

 

 

 

 

Edition of 35

£1,100 (inc. VAT).

Numbers in stock: 9/35. Others can be made to order, 4 weeks approx.

To order, contact us at info@themultiplestore.org.

 

 

Edition of 65

£850 (inc. VAT).

Numbers available: 2/65, 3/65, 4/65, 5/65, 62/65, 63/65, 64/65,65/65

To order, contact us at info@themultiplestore.org.

 

Edition of 50

This edition is sold out.

 

 

Edition of 100

This edition is SOLD OUT

 

 

 

Edition of 11 (of each olympian)

£3,600 each / £14,000 (inc. VAT).

Numbers available: Please enquire

To order, contact us at info@themultiplestore.org.

 

Edition of 100

£1,950 (inc. VAT).

Numbers available: 54/100, 61/100

To order, contact us at info@themultiplestore.org.

 

 

 

Edition of 30

This edition is SOLD OUT

 

 

 

Edition of 20 (of each location)

£2,250 (inc. VAT).

Numbers available:

Missing: Waco (Texas): 16/20 ; Roswell (New Mexico) 17/20, 19/20 ; Truth or Consequences (New Mexico): Sold Out.

Hitting: Bagdad (Louisiana) Sold Out; Bethlehem (North Carolina) 7/20, 10/20, 18/20; Paris (Texas) Sold Out.

To order, contact us at info@themultiplestore.org.

 

 

 

Edition of 35

£1,350 (inc. VAT).

Numbers available:  28/35, 29/35, 31/35 (Also from Barbiturate I, white, 47/100)

To order, contact us at info@themultiplestore.org.

 

 

 

Edition of 65

£600 (inc. VAT).

Numbers available: 13-65/65

To order, contact us at info@themultiplestore.org.

 

 

 

Edition of 45

£3,000 (inc. VAT).

Numbers available: Please enquire

To order, contact us at info@themultiplestore.org.

 

 

 

Edition of 80

This edition is sold out.

 

 

 

 

 

Edition of 35

£1,350 (inc. VAT).

Numbers available: 6/35, 8/35, 9/35, 10/35, 11/35, 12/35

To order, contact us at info@themultiplestore.org.

 

 

 

 

Edition of 100

£1,250 (inc. VAT).

Numbers available: 14/100

To order, contact us at info@themultiplestore.org.

 

 

 

Edition of 35

This edition is SOLD OUT

 

 

 

 

Anya Gallaccio’s first permanent art work at Whitford Gallery, Manchester

Image: Untitled 2016 by Anya Gallaccio in Manchester (photo credit to Michael Pollard)

Anya Gallaccio who was nominated for the Turner Art Prize in 2003 has made her name creating transient works using organic material, famously placing hundreds of gerberas behind Perspex and coating gallery walls with chocolate in Stroke at the Jupiter ArtlandUntitled 2016 however is permanent as a life-size stainless steel replica of a tree situated beside the Whitworth gallery in Manchester, it is the artist’s “first permanent public work” – discounting a piece in Edinburgh, which she says is “more of a private public space”. Click here for more information courtesy of the BBC.

For The Multiple Store, Anya Gallaccio created a multiple called Cast that brings together a handful of real English acorns and one unique cast bronze acorn in a box specially produced by BookWorks for the project. The buyer is invited to plant the acorns for the future, keep them to dry out and die or throw them away, leaving only the cast acorn. Cast has both the association with throwaway culture and that of permanence. Click here for more information and to buy Cast.

gallaccio
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Public sculptures by David Shrigley to be unveiled in London and NYC this autumn

In London the office of newly elected Mayor Sadiq Khan  has announced David Shrigley’s Really Good (shown above, right, courtesy of the artist) will be unveiled on Thursday 29 September 2016 on the Fourth Plinth in Trafalgar Square.

In New York, Public Art Fund has announced that a new public artwork, a seventeen-foot-tall granite sculpture with a shopping list engraved on its surface, titled Memorial, also by David Shrigley (an artist sketch of which is shown above, left, courtesy of the artist and Anton Kern Gallery) will be on view from September 8, 2016.

David Shrigley: Brass ToothHumour is also a protagonist in Shrigley’s edition with The Multiple Store, ‘Brass Tooth’ where he plays on our fear of the dentist’s chair by hugely exaggerating the size of the common molar, but confounds us by making it in solid, heavy brass. For more information and to buy this edition click here.

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Liliane Lijn’s moonmeme will be shown at Barnaby Festival 2016, Macclesfield

Coming up on the 17th of June, Liliane Lijn has been commissioned by Barnaby Festival in Macclesfield to show moonmeme (1992-ongoing), a real-time computer simulation presented in a special immersive installation within the confines of the 15th century Savage Tower at St Michael’s Church. In a work that demonstrates the interlocking of opposites, Lijn writes the single word SHE across the moon in letters large enough to be seen from earth. Over the course of the lunar monthly cycle, the movements of moon, earth and sun reveal that HE is contained within SHE and SHE emerges from HEFor more information please click here.

Liliane Lijn: Liquid Koan

With Liquid Koan Liliane Lijn’s multiple for The Multiple Store, has used translucent polyester resin to propose a paradox: layers of colour appear distinct and separate, or merge one into another, depending on the angle at which they are seen. The cone is seen as both solid and fluid within the medium of light. Liquid Koan is available to order on this website.

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Cornelia Parker’s Transitional Object (PsychoBarn), The Roof Garden Commission at the Met in New York until 31/Oct

Image credit: Caitlin Ochs for The New York Times.

A large-scale sculpture by Cornelia Parker, inspired by the paintings of Edward Hopper and by two emblems of American architecture—the classic red barn and the Bates family’s sinister mansion from Alfred Hitchcock’s 1960 film Psycho—has been unveiled as the fourth annual installation of site-specific works commissioned for The Metropolitan Museum of Art’s Iris and B. Gerald Cantor Roof Garden. Nearly 30 feet high, The Roof Garden Commission: Cornelia Parker, Transitional Object (PsychoBarn) is fabricated from a deconstructed red barn and seems at first to be a genuine house, but is in fact a scaled-down structure consisting of two facades propped up from behind with scaffolding. Simultaneously authentic and illusory, the sculpture evokes the psychological associations embedded in architectural spaces. Transitional Object (PsychoBarn) is set atop The Met, high above Central Park—providing an unusual contrast to the Manhattan skyline. It will be on view to the public until October 31, 2016. Click here to find out more.

Cornelia Parker’s multiple for The Multiple Store

Following a first series of meteorite landings on London locations in 1998, for her second series for The Multiple Store (‘METEORITE LANDS… IN THE MIDDLE OF NOWHERE: The American series’, 2001), Cornelia Parker produced a second series of  meteorite landings. These consist of ‘hits’ and ‘misses’ made by heating a 400 year old iron meteorite until glowing hot and then using it to burn the map at six mythic locations in of the American South.Cornelia Parker Meteorite Bethlehem

Of the six locations of this second series, only three are still available;
Missing:  Waco (Texas); Roswell (New Mexico); Truth or Consequences (New Mexico)
Hitting:  Bagdad (Louisiana); Bethlehem (North Carolina); Paris (Texas)

Click here for more information on Parker’s landings.

 

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‘White Black Gold’ Keith Coventry’s new work at PACE London

Image: An installation shot from White Black Gold courtesy of PACE London

White Black Gold, an exhibition of new work by Keith Coventry will be on view at PACE London at the ground floor galleries of 6 Burlington Gardens from 27 April to 28 May 2016.

From the PACE London press release:

‘In White Black Gold, Coventry continues his multi-decade exploration of the relationship between Modernism and its manifestations in the contemporary. In the exhibition—comprised of two new bodies of work and a monumental bronze—Coventry disabuses Modernism of its utopian promise, locating its residue in the debris of the social landscape.’

Keith Coventry; Inhailer

Keith Coventry’s multiple with The Multiple Store is Inhaler, pictured here. What at first appears to be a true-to-size plastic model of an asthma inhaler turns into an object with a very different recent history. Life-enhancer for some, the inhaler, once redundant, takes on another life as a travelling pipe for the urban crack addict. For Keith Coventry this was a departure from painting and from his previous large-scale work in bronze into a new, non-traditional material – cast plastic. Inhaler is available to order on this website.

 

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Graham Fagen’s Venice Biennale exhibition now at Hospitalfield House, Arbroath until April 17th

Graham Fagen who represented Scotland at the 56th International Art Exhibition, the Venice Biennale in 2015 will be bringing his exhibition back to Scotland in March. The exhibition, curated by Hospitalfield in Arbroath, will be reinterpreted for the historic Arts & Crafts rooms of Hospitalfield House (pictured above, image courtesy of Hospitafield) until April 17th. Click here for more information including details of the limited edition vinyl record published by Hospitafield.

Lucy Byatt of Hospitalfield Arts, who curated the Venice Biennale exhibition, first worked with Fagen on the artist’s acclaimed public art project in Royston, Glasgow, which was the genesis of ROSE, Fagen’s multiple published by The Multiple Store in 2013.

Graham Fagen: Rose

 

 

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Multiple Store editions on view at Plinth at 44 Great Russell Street, Bloomsbury, until March 19th

Image courtesy of Plinth

Multiple Store editions by Fiona BannerLanglands & Bell, Liliane Lijn, Cornelia Parker, David Shrigley and Alison Wilding are included in an exciting new pop-up exhibition by PLINTH opposite the British Museum.

Set in an 18th century listed Georgian house, the show features a wide range of artists editions and products, including new editions by Cornelia Parker, Beatrice Milhazes, Richard Deacon, Richard Wilson and Ding Yi; the proceeds of the new editions (launched jointly with Ikon Gallery, Birmingham) will go towards supporting Ikon’s 50th anniversary investment fund.

PLINTH: 44 Great Russell Street, London WC1B 3PA

12 February to 19 March

Monday to Saturday 10 am to 6 pm

www.plinth.uk.com

ARTISTS NEWS

ACKROYD & HARVEY:  ‘Conflicted Seeds and Spirit’, David Attenborough Building, New Museum Site, University of Cambridge CB2 3QZ. 9 March to 17 April 2016.

FIONA BANNER: ‘ Study #13. Every Word Unmade‘,  David Roberts Arts Foundation, Symes Mews, London NW1 7JE; to 5 March 2016. 130IPE, 6150 Wilshire Bd., Los Angeles, CA 90048. 11 February to 9 April 2016. ‘Scroll Down and Keep Scrolling’ Kunstalle, Munich, 24 March to 29 May 2016.

CORNELIA PARKER: ‘Rorschach’, SCAD Museum of Art, Savannah, Georgia, USA; 16 February to 12 June 2016.

YINKA SHONIBARE MBE: ‘Recreating the Pastoral’ , Carlow Arts Centre, Old Dublin Road, Carlow, Ireland: 6 February to 19 June 2016. ‘Childhood Memories’ , Pearl Lam Galleries, Singapore; 21 January to 13 March 2016. Turner Contemporary, Margate (including a new work ‘The End of Empire’ co-commissioned by 14-18 NOW)

DAVID SHRIGLEY: ‘Lose Your Mind‘, Hospicio Cabanas, Guadalajara, Mexico: to 28 February 2016. ‘Coloured Works on Paper’, Galleri Nicolai Wallner, Copenhagen; to 5 March 2016.

ALISON WILDING: ‘Extra Terrestrial’ (with Tess Jaray): East Gallery, Norwich University of the Arts, NR2 4AE; to 19 March 2016.

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Yinka Shonibare MBE has been commissioned to create a sculptural installation “End of Empire” for Turner Contemporary as part of the Battle of the Somme commemoration

Image: An installation shot of Yinka Shonibare MBE’s ‘Colonial Arrangement’ at the Morris-Jumel Mansion in Washington Heights (Spring 2015). Photo credit: Ramsay de Give for the Wall Street Journal.

Yinka Shonibare MBE has been commissioned a sculptural installation “End of Empire” for Turner Contemporary as part of the commemoration of the 100th anniversary of the Battle of the Somme Battle of the Somme. The eight-month-long arts programme also includes artist Imran Qureshi, the Syrian National Orchestra for Arabic Music and Damon Albarn. For more information click here to read an article on the New York Times.


Yinka Shonibare MBE, 
a Turner Prize nominee, recently created an edition for The Multiple Store, Kaleidoscope in which the artist playfully explores gender stereotypes and power relations. Continue reading…

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Ackroyd & Harvey’s Radical Action Reaction at Paris Jardin de Plantes

Ackroyd & Harvey‘s Radical Action Reaction (RAR) inaugurated in Paris at the Jardin de Plantes on 3 December 2015 (image credit: ArtCop21 blog). This monumental installation consisted of a tree in front of a large live grass draping and served to inaugurate the COP21 and celebrate the role of trees in enabling cities to adapt to (and mitigate) climate change.

Radical Action Reaction (RAR) is an art project created by artists Heather Ackroyd and Dan Harvey, a continuation of their work ‘Beuys’ Acorns’ based on the reactivation of the 7000 oaks planted in Kassel in 1982 by the artist Joseph Beuys.

For The Multiple Store, in 2011 Ackroyd & Harvey created  Shoal an edition that comprises 30 small fish skeletons, each one unique and individually encrusted with a growth of alum crystals. The fish skeletons are stripped, prepared and de-greased, forming crystals around the fish bones after placement in a hot chemical solution. As it cools down, alum crystals start to form and attach themselves to the bones, effectively embalming them. Click here to find out more and to order Shoal.

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David Shrigley’s Lose Your Mind in Guadalajara, Mexico until 28 February 2016

All images of this installation are courtesy of the British Council.

David Shrigley’s Lose Your Mind is currently on show at the Instituto Cultural Cabañas, Guadalajara, Mexico and is on display until 28 February 2016. This exhibition has been organised by the British Council and features Ostrich (2009) a new acquisition for the British Council Collection, and Beginning, Middle and End (2009) a ‘giant continuous sausage’ crafted from clay that is rolled out and arranged in the gallery – this time with the help of art students in Guadalajara.

David Shrigley’s edition with The Multiple Store is ‘Brass Tooth’ where Shrigley plays on our fear of the dentist’s chair by hugely exaggerating the size of the common molar, but confounds us by making it in solid, heavy brass. For more information and to buy this edition (which is now nearly sold out) click here.

David Shrigley: Brass Tooth

 

All images below corresponding to the installation of Lose Your Mind are courtesy of the British Council.
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Cornelia Parker’s new exhibition ‘One Day This Glass Will Break’ at Alan Cristea, 34 Cork Street until 14/Nov

For her first solo exhibition at Alan Cristea Gallery, Cornelia Parker presents a new body of work that breathes new life into found objects. Parker’s exhibition ‘One Day This Glass Will Break ‘  is now open at 34 Cork Street and will run until 14/Nov. For more information, click here.

Cornelia Parker’s edition with The Multiple Store

Following a first series of meteorite landings on London locations in 1998, for her second series for The Multiple Store (‘METEORITE LANDS… IN THE MIDDLE OF NOWHERE: The American series’, 2001), Cornelia Parker produced a second series of  meteorite landings. These consist of ‘hits’ and ‘misses’ made by heating a 400 year old iron meteorite until glowing hot and then using it to burn the map at six mythic locations in of the American South.

Of the six locations of this second series, only three are still available;
Missing:  Waco (Texas); Roswell (New Mexico); Truth or Consequences (New Mexico)
Hitting:  Bagdad (Louisiana); Bethlehem (North Carolina); Paris (Texas)

Click here for more information on Parker’s landings. Cornelia Parker Meteorite Bethlehem

 

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Corinne Felgate’s new commissions at Hughenden Manor and The Burton Gallery

We recently caught up with Corinne Felgate when she participated, with Simon Periton, in the first of our artists-in-conversation series of events accompanying the exhibition ‘The Multiple Store @ Canary Wharf”.

Among her most recent projects, Corinne’s Man and Matter, a new large-scale outdoor commission for the National Trust, is on display at Hughenden Manor until the 31st of October. Click here for more information. and watch a video here.

Corinne has also presented a new commission at the Burton Gallery and Museum, using the ancient pigment Bideford Black and the exhibition, that features another seven artists, runs until 13th November 2015. A film trailer for the project is available to view here (and to which the screenshot above belongs, courtesy of Burton Gallery).

In addition to those commissions, The Ode Blower,  a new permanent sculpture for the Old Clare Hotel, Sydney, Australia is now on display. It’s a series of 10 site-specific poems written by the artist and played through a 1930’s candlestick telephone. 

 

Corinne Felgate's Baby's Got the Wedgwood Blues on a mantelpieceBaby’s got the Wedgwood Blues, Corinne Felgate’s edition with The Multiple Store, also on display at the Lobby of One Canada Square,  continues the artist’s fascination for the metamorphosis of the ceramics industry which started during her residency at Steelite International. She was later commissioned to create a pavilion which formed the centrepiece of the 2013 British Ceramics Biennial where the artist produced a quasi-shrine to industry and the process of production, rejection and selection.

Baby’s got the Wedgwood Blues was launched in late 2014 and can be ordered on this website. Click here to read an interview with Felgate about this work and her multi-disciplinary practice.

 

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Our exhibition ‘The Multiple Store @ Canary Wharf’ at the Lobby of One Canada Square is now open daily until 13/Nov

The Multiple Store @ Canary Wharf our retrospective exhibition featuring nearly the multiples published since the foundation of The Multiple Store in 1998 is now open daily in the Lobby of One Canada Square, E14 5AB until 13th of November. As part of this exhibition, five large outdoor sculptures are on display at Jubilee Park including Kenny Hunter’s Black Swan and one of Peter Liversidge’s editions with The Multiple Store, Interstate.

A programme of artists in conversation events is taking place on Tuesday evenings (6.30-7.30pm) in October. Space for these events is strictly limited so RSVP is strongly advised – E-mail info@themultiplestore.org or call 07760 666518 to attend.

Tuesday 6/October – Corinne Felgate, Simon Periton
Tuesday 13/October – Ackroyd & Harvey, Sigune Hamann and Graham Fagen
Tuesday 20/October – Liliane Lijn, Grenville Davey and Kenny Hunter
Tuesday 27/October – Langlands & Bell, Yinka Shonibare MBE

Click here for a map to One Canada Square.

Nearest tube: Canary Wharf (Jubilee Line & DLR)

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Tom Dale is at the TRIO Bienal in Rio, Brazil and at the Centre d’Art, Neuchatel, Switzerland

Tom Dale: The Mighty Crowns

Artist Tom Dale is having a busy 2015. After his solo show at the John Hansard gallery, Southampton that is due to tour to NIMAC in Nicosia, Cyprus, Tom is currently participating in the TRIO Bienal in Rio de Janeiro Brazil as part of ‘Reverberations – Crossed Borders of Three-dimensionality’ where he is also showing his edition with The Multiple Store ‘The Mighty Crowns’, illustrated above.

For The Mighty Crowns, which takes its name from a set of rockets that illuminate the sky with crown-like formations, he has performed a simple substitution by casting them in bronze. The weight of the bronze from which they are made tells us that (like strange sceptres) these rockets will never fly, nor will they explode to light up the night-time sky.

“I see these attempts to reach the infinite as rituals that try to fix meaning, just as the grand memorials and monuments in bronze try, but ultimately fail, to fix memories in time.”

Tom Dale, 2014

Tom’s work is also included in The Thousand-Thigh Hospice:experiments in healing a six-week long programme of exhibitions, performances, concerts, conferences, workshops that run until 3 October 2015 in Neuchatel, Switzerland and that celebrate the 20th anniversary of the Centre d’Art Neuchatel. For The Thousand-Thigh Hospice:experiments in healing a Tom has created a new sculpture ‘Last Night Was Different’ (image below, courtesy of the artist) is the latest in a line of inflatable objects produced using unconventional materials.

 

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Cornelia Parker: Magna Carta (An Embroidery) on display at the Whitworth, Manchester until 1 November 2015

Cornelia Parker’s Magna Carta (An Embroidery) is now on display in Manchester at the Whitworth after being on display earlier on at the British Library that initially commissioned the work in partnership with the Ruskin School of Art at the University of Oxford  and in association with the Embroiderers’ Guild, Fine Cell Work, Hand & Lock and the Royal School of Needlework.

A major new artwork by the acclaimed British artist Cornelia Parker, Magna Carta (An Embroidery) celebrates the 800th anniversary of Magna Carta in 2015. Fabricated by many hands, it replicates in stitch the entire Wikipedia article on Magna Carta as it appeared on the document’s 799th anniversary. Hand embroidered by more than 200 people, a large part was stitched by prisoners supervised by Fine Cell Work and members of the Embroiderers Guild. Other contributors, selected to represent a cross-section of society, range from barons, baronesses, MPs, and lawyers, to human rights advocates and activists.

Cornelia Parker’s multiple for The Multiple Store

Following a first series of meteorite landings on London locations in 1998, for her second series for The Multiple Store (‘METEORITE LANDS… IN THE MIDDLE OF NOWHERE: The American series’, 2001), Cornelia Parker produced a second series of  meteorite landings. These consist of ‘hits’ and ‘misses’ made by heating a 400 year old iron meteorite until glowing hot and then using it to burn the map at six mythic locations in of the American South.

Of the six locations of this second series, only three are still available;
Missing:  Waco (Texas); Roswell (New Mexico) [SOLD OUT]; Truth or Consequences (New Mexico) [SOLD OUT]
Hitting:  Bagdad (Louisiana); Bethlehem (North Carolina); Paris (Texas) [SOLD OUT]

Click here for more information on Parker’s landings.

Cornelia Parker Meteorite Bethlehem

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Simon Periton creates ‘Resistance is Fertile’ for Waddesdon Manor’s parterre

Two sculptural bedding installations designed by artist Simon Periton (b. 1964) are now on display on the Parterre of Waddesdon Manor, continuing the tradition of three-dimensional bedding begun by Alice de Rothschild. To read more about this installation, click here.

“Part of the joy of visiting Waddesdon is its complexity – the diverse historical and architectural layers and elements that make up the building, the grounds, and their history, as well as the eclectic artworks and artefacts that form the house’s collection (and its many collections within a collection). It’s a complete experience that you immerse yourself in.” 

Simon Periton, 2015

Simon Periton has published two multiples with The Multiple Store, Barbiturate II made in clear, borosilicate (reinforced) glass and A Sunken Owl Prunes a print where the title is an anagram for Unknown Pleasures, an oil on glass that Periton had painted in 2007. These multiples are available for purchase via this website, click here to order.

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Kaleidoscope by Yinka Shonibare MBE, featured at Aphrodite Papadatou’s ‘Last Night a Drag Queen Saved My Life’

At the end of 2014, Yinka Shonibare MBE produced for The Multiple Store Kaleidoscope, an edition that will be featured as guest object at ‘Last Night a Drag-Queen Saved My Life’ an event curated by ARTinTRA and featuring paintings by London-based Greek artist Aphrodite Papadatou.

‘Last Night a Drag-Queen Saved My Life’ takes place on Saturday 25th April at LimeWharf-Machines Room, one of London’s most innovative cultural hubs and artistic laboratories. The private view runs from 6 to 9pm and is followed by live performance and party from 9 to 11pm. For more information about this event read the press release here.

Kaleidoscope-5_1With Kaleidoscope Yinka Shonibare MBE playfully explores gender stereotypes and power relations. A kaleidoscope in the shape of a phallus, with the body beautifully decorated in the Dutch wax batik patterns the artist is known for, and the head made of highly polished brass. Click here to watch the artist discuss how this edition came about with Iwona Blazwick, Director, Whitechapel Gallery.

Kaleidoscope is presented in a limited edition of 45 and it is currently available for purchase here.

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Stamp Out Photographie: Fiona Banner Selects From The V-A-C Collection at the Whitechapel Gallery, London

‘Stamp Out Photographie’, Fiona Banner’s selection of works from Moscow’s V-A-C Collection Of Art focuses on the line between painting and photography and it is on display at the Whitechapel Gallery until the 8th of March (free entry). Banner’s selection includes Warhol’s screen-prints, an optical black & white painting by Bridget Riley and one of Gerhard Richter’s celebrated hyper-realist paintings: the just-out-of-focus Kerze, work pictured here from the Whitechapel Gallery website where you can find more information about this exhibit.

Fiona Banner has produced two editions for The Multiple Store, TABLE STOPS and Book: 1/1 both available for sale on this website.

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Terminal Blue: Tom Dale at Southampton’s John Hansard Gallery until the 7th of February

Two of Tom Dale’s major recent works, Terminal Blue and Infinity are currently on show as part of a solo exhibition at Southampton’s John Hansard Gallery until 7th of February. Terminal Blue is a giant banner of a dark-to-light-blue colour swatch being towed by a plane through the ether at certain times of day, as advertised in the local paper. Gallery-based Infinity Wall features images of the art space that are being constantly recorded, printed and shredded to make a nest of scrapped moments. Meanwhile, an ornate suburban conservatory has had its double glazing removed and been stuffed with books the artist bought in job lots from car boot sales. For more information go to the John Hansard Gallery website.

For The Multiple Store, Tom Dale has produced The Mighty Crowns, which takes its name from a set of rockets that illuminate the sky with crown-like formations; he has performed a simple substitution by casting them in bronze. It is a set of three rocket-like bronzes, available for purchase on this website.

Tom Dale: The Mighty Crowns

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Cornelia Parker commissioned by the British Library to respond to the legacy of the Magna Carta in the digital era

Cornelia Parker has been commissioned by the British Library to respond to the legacy of Magna Carta in the digital era. At almost 13 metres long and 1.5 metres wide, Magna Carta (An Embroidery) will replicate the Magna Carta’s Wikipedia article as it appeared in its entirety on the 799th anniversary of Magna Carta in 2014.

The embroidery will be unveiled in a free exhibition in the British Library’s front hall on 15 May 2015 and will remain on display until 24 July 2015. To read more about this commission  click here.

Following a first series of meteorite landings on London locations in 1998, for her second series for The Multiple Store (‘METEORITE LANDS… IN THE MIDDLE OF NOWHERE: The American series’, 2001), Cornelia Parker produced a second series of  meteorite landings. These consist of ‘hits’ and ‘misses’ made by heating a 400 year old iron meteorite until glowing hot and then using it to burn the map at six mythic locations in of the American South.

Of the six locations of this second series, only three are still available;
Missing:  Waco (Texas); Roswell (New Mexico) [SOLD OUT]; Truth or Consequences (New Mexico) [SOLD OUT]
Hitting:  Bagdad (Louisiana); Bethlehem (North Carolina); Paris (Texas) [SOLD OUT]

Click here for more information on Parker’s landings.

Cornelia Parker Meteorite Bethlehem

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We are at Miami Basel as part of the ArtMarkit Pop Up at the Mondrian Hotel

Two of our editions, Yinka Shonibare MBE’s KALEIDOSCOPE and David Shrigley’s BRASS TOOTH will be part of a Pop Up exhibit organised by ArtMarkit at the Mondrian Hotel during Miami Basel. ArtMarkit.com is an e-commerce launched in 2014 that aggregates, promotes and distributes artists’ products from around the world. ArtMarkit.com’s Pop Up has been chosen as one of the Miami Basel top picks by Doreen Deren, co-founder of New York-based Art Production Fund, on Harper’s Bazaar Art Basel Guide.

David Shrigley’s  Brass Tooth is macabre, comical and dysfunctional. By hugely exaggerating the size of the common molar, Shrigley plays on our fear of the dentist’s chair, but confounds us by making it in solid, heavy brass. This edition is available for acquisition on this website.

Kaleidoscope is a new edition by Yinka Shonibare MBE that playfully explores gender stereotypes and power relations: a kaleidoscope in the shape of a phallus, with the body beautifully decorated in the Dutch wax batik patterns the artist is known for, and the head made of highly polished brass. Click here for more information and to purchase this edition.

A video of Yinka Shonibare MBE in conversation with Iwona Blazwick, Director, Whitechapel Gallery filmed on 17 October 2014 where Kaleidoscope is also discussed is now available via this link.

 

 

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Corinne Felgate in conversation at Danielle Arnaud on 26 November presenting BABY’S GOT THE WEDGWOOD BLUES

Artist Corinne Felgate will be in conversation at the Danielle Arnaud Gallery in Kennington on  Wednesday 26th November (6.00-8.30pm) during the dedicated presentation of  BABY’S GOT THE WEDGWOOD BLUES, her first edition with The Multiple Store. Please note space is strictly limited and RSVP is essential to attend to info@themultiplestore.org

Danielle Arnaud Contemporary Art is located in Kennington at 123 Kennington Road, a short walk from Lambeth Road tube station. For directions click here

da-map

For more details on this edition, you can click here and to order online click here.

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PRESS RELEASE: The Multiple Store launches BABY’S GOT THE WEDGWOOD BLUES by Corinne Felgate

New limited edition multiple by

Corinne Felgate

BABY’S GOT THE WEDGWOOD BLUES, 2014. Edition: 30

Launch price: £750

Commissioned by The Multiple Store

Following recent news that (despite the uncertain future of the brand), the world-famous Wedgwood Collection has been ‘saved for the nation’ through a national appeal that raised £15m, Baby’s got the Wedgwood Blues draws on the heyday of Stoke-on-Trent’s iconic Wedgwood pottery in an attempt to visualise a future potential for one of Britain’s last industrial heritage brands.

‘’ With Wedgwood’s future less certain than ever, I wanted to create a work that could mark this unique tipping point in time.  The Wedgwood brand has always been synonymous with status and luxury, themes that many of my works explore and indeed often deconstruct. With Baby’s got the Wedgwood Blues the idea of luxury is undercut through the “shonky” finish of the objects, their deliberate imperfection draws our attention to the labour entailed in producing these familiar domestic items; they become more human because of it.’

The three ceramic forms are taken from Wedgwood’s vast body of vases and urns, which were inspired by the classical roman pots being excavated from all over Europe in the mid-1700’s, most notably the Portland vase that Josiah Wedgwood saw on display in London in 1786, later producing his own version in his trademark Jasperware.

The flocked surface of the sculptures draws on Wedgwood’s lust for experimentation with surface colour and texture, and has been painstakingly matched to Wedgwood’s classic blues used on the Jasperware collections, which in turn endeavoured to emulate the tones and forms utilised on the roman artefacts he was so inspired by.

Each piece is hand-produced by the artist in her studio and finished in an industrial flocking factory, the fabrication of the edition itself miming the pottery’s evolution from craft, to industry, to art.

The edition size also echoes that of Wedgwood’s Portland vase, which was also produced in a limited edition of 30.

See our interview with the artist

Corinne Felgate

Corinne Felgate’s practice examines our relationship to luxury, power, failure, sexuality and industry through the exploration of everyday objects. More recently her research has focussed specifically on our cultural, and physiological relationship to making & industry in the digital age and has involved the rekindling or reworking of pre-industrial processes.

Baby’s got the Wedgwood Blues’ continues the artist’s fascination for the metamorphosis of the ceramics industry which started in 2013, when she was awarded the ‘Artists Into Industry’ residency for the 2013 British Ceramics Biennial at Steelite International ceramics factory in Stoke-on-Trent. She was later commissioned to create a pavilion which formed the centrepiece of the Biennial where the artist produced a quasi-shrine to industry and the process of production, rejection and selection.

Her work has been commissioned by numerous organisations including ArtsAdmin; Tate Modern, Maison de la Culture, Amiens; The National Gallery and The British Ceramics Biennial, and she has exhibited/performed with institutions including David Roberts Art Foundation (London) Oriel Sycharth (Wales), Palazzo Grassi (Italy) and Inhotim (Brazil).

PRESS INQUIRIES:

For more information, images and a detailed biography, please contact:

Nicholas Sharp
Email: nick@themultiplestore.org  or Telephone: +44 (0) 7760 666518 (mobile) or +44 (0) 20 8735 2828 (landline)

THE MULTIPLE STORE

The Multiple Store is the only UK company specialising in commissioning editions of sculptural and other works in 3D.

Founded as a not-for-profit organisation in 1998, we work with leading contemporary artists including Turner Prize nominees Fiona Banner, Anya Gallaccio, Langlands & Bell, Cornelia Parker, David Shrigley and Alison Wilding. Other commissioned artists include Keith Coventry, Peter Liversidge, and Simon Periton.

The Museum of Modern Art, New York; the Yale Center for British Art; the British Council, the Arts Council of England, the British Museum and the Victoria & Albert Museum are among the many international collections that have purchased our editions.

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The Multiple Store at the Editions/Artists’ Books Fair in New York (6-9 November)

The Multiple Store is delighted to announce that it will exhibit at the Editions/Artists’ Books Fair in New York from the 6th to the 9th of November.

You will find us at Booth 28 where we will be showing a selection of our 3-D editions by major artists including our newest release, KALEIDOSCOPE by acclaimed artist Yinka Shonibare MBE.

TMS Stand Multiplied Oct 12 feat Kenny Hunter Editions (400 x 300px) B&WThe Editions/Artists’ Books Fair (E/AB) is New York’s premier showcase for contemporary publishers and dealers, presenting the latest and greatest in prints, multiples, and artists’ books. The Fair is well known for its vibrant energy thanks to its innovative international exhibitors, and hundreds of artists shown.

In 2014, the Fair is curated by Faye Hirsch, Contributing Editor, Art in America. Gathering over 40 exhibitors from around the US, and Europe, the Fair will be presented at the recently renovated Art Beam building at 540 W. 21st Street in New York’s Chelsea. The Fair will take place during New York’s Print Week, to coincide with IFPDA’s Print Fair, and dozens of special exhibitions, talks, and workshops throughout the city.

 

 

 

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The Multiple Store presented new editions by Yinka Shonibare MBE and Corinne Felgate at Multiplied (17-20 Oct) – Picture Gallery

From 17 to 20 October, The Multiple Store participated in the 5th Edition of Multiplied Editions Art Fair hosted by Christie’s South Kensington. We were pleased to present two brand new editions, Corinne Felgate’s BABY’S GOT THE WEDGWOOD BLUES and Yinka Shonibare MBE’s KALEIDOSCOPE, both of which got much attention from collectors and press. Shonibare was also in conversation with Iwona Blazwick, Director of the Whitechapel Gallery in a talk that was filmed and should be soon available on this website. Below you can see a selection of pictures from the fair.

 

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David Shrigley’s first major survey in Australia at the National Gallery of Victoria (14 November 2014 – 1 March 2015)

David Shrigley: Life and Life Drawing is Shrigley’s first major survey in Australia featuring new and recent work by the internationally renowned Glasgow-based artist. Shrigley has developed a cult following for his stripped back, darkly humourous and deliberately crude drawings that explore existential dramas, human dysfunction and anxiety. Click here for more information.

David Shrigley: Brass ToothDavid Shrigley’s edition with The Multiple Store ‘Brass Tooth’ where Shrigley plays on our fear of the dentist’s chair by hugely exaggerating the size of the common molar, but confounds us by making it in solid, heavy brass. For more information and to buy this edition click here.

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Yinka Shonibare MBE in conversation with Iwona Blazwick, Director of the Whitechapel Gallery at Multiplied Editions Fair

Yinka Shonibare MBE was In Conversation with Iwona Blazwick, Director of the Whitechapel Gallery on Friday 17th October at Multiplied Art Fair, Christie’s South Kensington where the public launch of KALEIDOSCOPE, our latest edition has taken place.

A video of the talk is now available via this link.

About the Edition

Yinka ShonibareKALEIDOSCOPE by Yinka Shonibare MBE is a new limited edition of 45. Described by Yinka as ‘a piece that playfully explores gender stereotypes and power relations’, it is a kaleidoscope in the shape of a phallus, with the body beautifully decorated in the Dutch wax batik patterns Yinka is known for, and the head made of highly polished brass. Through the opening at the head of the phallus a distorted image of Sandro Botticelli’s ‘Birth of Venus’ can be seen. Botticelli’s original image depicted the birth of Venus, the goddess of the sea, standing on a shell. Subverting this familiar image, Yinka has replaced the female nude by a photograph of a well-endowed male. Click here for more information on this edition.

To order online, please click here, or visit The Multiple Store stand at MULTIPLIED Editions Fair hosted by Christie’s (17-20 October) where KALEIDOSCOPE  will have its public launch . Admission Free.

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KALEIDOSCOPE by Yinka Shonibare MBE has been unveiled!

We are delighted to announce that our latest edition by YINKA SHONIBARE MBE was unveiled on October 2nd at the artist’s studio in Dalston, London. Created in an edition of only 45, KALEIDOSCOPE will have its public launch at MULTIPLIED, the editions fair that takes place at Christie’s South Kensington from the 17th to the 20th of October.

Yinka Shonibare's KaleidoscopeIf you are interested in acquiring this edition, note it is already available for purchase here.

About Kaleidoscope

Shaped as a phallus, KALEIDOSCOPE‘s body is beautifully decorated in the Dutch wax batik patterns the artist is known for, and the head is made of highly polished brass.

Through the opening at the head of the phallus a distorted image of Sandro Botticelli’s ‘Birth of Venus’ can be seen. Botticelli’s original image depicted the birth of Venus, the goddess of the sea, standing on a shell, the female ideal as the object of mythology and desire. Subverting this familiar image, Shonibare has replaced the female nude by a well-endowed photographed naked male.

KALEIDOSCOPE performs an act of reverse objectification, as the erect phallus and the male nude take the place historically occupied by the female body and therefore take it beyond the familiar realm of the male gaze. Click here to read the full press release.

 

 

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PRESS RELEASE: The Multiple Store launches KALEIDOSCOPE by Yinka Shonibare MBE

New limited edition multiple by

Yinka Shonibare MBE

KALEIDOSCOPE, 2014. Edition: 45

Commissioned by The Multiple Store

Collectors Preview: 2 October 2014 at artist’s studio

Launch: MULTIPLIED Contemporary Art in Editions Fair (at Christie’s South Kensington): 17 October (Fair: 17-21 October)

Yinka Shonibare in conversation with Iwona Blazwick, Director of The Whitechapel Gallery: Friday 17 October, 4.30pm

About the edition

KALEIDOSCOPE is a new sculptural edition by Yinka Shonibare MBE that playfully explores gender stereotypes and power relations.

It is a kaleidoscope in the shape of a phallus, with the body beautifully decorated in the Dutch wax batik patterns the artist is known for, and the head made of highly polished brass.

Through the opening at the head of the phallus a distorted image of Sandro Botticelli’s ‘Birth of Venus‘ can be seen. Botticelli’s original image depicted the birth of Venus, the goddess of the sea, standing on a shell; as usual in paintings of this period, the female ideal was depicted as the object of mythology and desire. Subverting this familiar image, Shonibare has replaced the female nude by a well-endowed photographed naked male.

Kaleidoscope performs an act of reverse objectification, as the erect phallus and the male nude take the place historically occupied by the female body and therefore take it beyond the familiar realm of the male gaze.

This object can also be seen as a subversive take on 19th century Victoriana, and specifically the ‘peep show’ images of women viewed through devices such as a kaleidoscope.

As with Yinka Shonibare’s celebrated work on the Fourth Plinth, ‘Nelson’s Ship in a Bottle’, ‘Kaleidoscope’  reclaims an object from a familiar British tradition and subverts it through the bold use of batik patterns and the transformation of the shape into that of a phallus.

Yinka Shonibare MBE

Over the past decade, Shonibare has become widely known for his exploration of colonialism and post-colonialism within the contemporary context of globalisation. Shonibare’s work explores these issues, alongside those of race and class, through the media of painting, sculpture, photography and, more recently, film and performance. Using this wide range of media, Shonibare examines in particular the construction of identity and the tangled interrelationship between Africa and Europe, and their respective economic and political histories. Mixing Western art history and literature, he asks what constitutes our collective contemporary identity today. Having described himself as a ‘post-colonial hybrid’, Shonibare’s work questions the meaning of cultural and national definitions.

Yinka Shonibare was born in London and moved to Lagos, Nigeria at the age of three. He returned to London to study Fine Art, first at Byam Shaw College of Art (now Central Saint Martins College of Art and Design) and then at Goldsmiths College, where he received his MFA, graduating as part of the ‘Young British Artists’ generation. He was awarded an MBE in 2005.

In 2010, the artist’s sculpture ‘Nelson’s Ship in a Bottle’ was selected for the prestigious Fourth Plinth commission series in Trafalgar Square, and is now on permanent display at the National Maritime Museum in Greenwich.

In 2013, a major solo exhibition was held at Yorkshire Sculpture Park. In 2014, the artist’s work was the subject of the first contemporary art exhibition at The Barnes Foundation, Philadelphia, USA (‘Magic Ladders’).

The artist is represented in the UK by Stephen Friedman Gallery

PRESS INQUIRIES:

For more information, images and a detailed biography, please contact:

Chloe Grimshaw
Email: chloe@plinth.uk.com or Telephone: 07866 251 115

Paul Franklyn
Email: paul@plinth.uk.com or Telephone: 07769 690 227

THE MULTIPLE STORE

The Multiple Store is the only UK company specialising in commissioning editions of sculptural and other works in 3D.

Founded as a not-for-profit organisation in 1998, we work with leading contemporary artists including Turner Prize nominees Fiona Banner, Anya Gallaccio, Langlands & Bell, Cornelia Parker, David Shrigley and Alison Wilding. Other commissioned artists include Keith Coventry, Peter Liversidge, and Simon Periton.

The Museum of Modern Art, New York; the Yale Center for British Art; the British Council, the Arts Council of England, the British Museum and the Victoria & Albert Museum are among the many international collections that have purchased our editions.

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Dalziel & Scullion, Graham Fagen, Kenny Hunter, David Shrigley at GENERATION: 25 Years of Contemporary Art in Scotland.

Dalziel & Scullion, Graham Fagen, Kenny Hunter, David Shrigley are among the artists selected for the showcase of contemporary art practice in Scotland at GENERATION: 25 Years of Contemporary Art in Scotland that is taking place at several venues throhugout the country until January 2015.

Dalziel & ScullionDalziel & Scullion’s edition with The Multiple Store is ‘The Idea of North’, a ‘compass that creates a dialogue between imaginary places and precise locations’.  Kindly note this edition is nearly sold out.

Graham Fagen: RoseFagen’s limited edition ROSE stems from a public art project in the Royston area of Glasgow that Fagen carried out in 2002. Click here for more information.

Kenny Hunter: What Is HistoryKenny Hunter was one of the first artists to create an edition with The Multiple Store in 2008 with What is History?. More recently, on occasion of the London Olympics, Hunter produced a set of four Young Olympians in painted bronze .

David Shrigley: Brass ToothDavid Shrigley’s edition with The Multiple Store ‘Brass Tooth’ is a hugely exaggerated common molar a macabre, comical and dysfunctional object playing with our fear of the dentist’s chair.

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Dalziel & Scullion, Graham Fagen, Kenny Hunter, David Shrigley at GENERATION: 25 Years of Contemporary Art in Scotland.

Dalziel & Scullion, Graham Fagen, Kenny Hunter, David Shrigley are among the artists selected for the showcase of contemporary art practice in Scotland at GENERATION: 25 Years of Contemporary Art in Scotland that is taking place at several venues throhugout the country until January 2015.

Dalziel & ScullionDalziel & Scullion’s edition with The Multiple Store is ‘The Idea of North’, a ‘compass that creates a dialogue between imaginary places and precise locations’.  Kindly note this edition is nearly sold out.

Graham Fagen: RoseFagen’s limited edition ROSE stems from a public art project in the Royston area of Glasgow that Fagen carried out in 2002. Click here for more information.

Kenny Hunter: What Is HistoryKenny Hunter was one of the first artists to create an edition with The Multiple Store in 2008 with What is History?. More recently, on occasion of the London Olympics, Hunter produced a set of four Young Olympians in painted bronze .

David Shrigley: Brass ToothDavid Shrigley’s edition with The Multiple Store ‘Brass Tooth’ is a hugely exaggerated common molar a macabre, comical and dysfunctional object playing with our fear of the dentist’s chair.

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Fiona Banner at the Yorkshire Sculpture Park (YSP) with Wp Wp Wp until 5 January 2014

Yorkshire Sculpture Park (YSPFiona Banner TABLE STOPS at Wp Wp Wp at YSP) presents Wp Wp Wp, an exhibition by UK artist Fiona Banner featuring ambitious new project, Chinook, and related work. The onomatopoeic title of the exhibition mimics the sound of helicopter blades in action, as commonly used in movie storyboards and comics. Click here to read more about the exhibition that runs until 5th January 2015.

The exhibition at YSP also features TABLE STOPS, one of Banner’s editions with The Multiple Store, available for sale on this website.

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Tom Dale’s new solo show Department of the Interior at Copperfield Gallery until 14 November

Tom Dale: The Mighty CrownsTom Dale’s new solo show ‘Department of the Interior’ is currently on view at Copperfield Gallery, 6 Copperfield Street, London SE1 0EP running until 14 November.

Tom Dale’s edition with The Multiple Store ‘The Mighty Crowns’ which takes its name from a set of rockets that illuminate the sky. Click here for more information.

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The Multiple Store at ‘MULTIPLIED’ Contemporary Art in Editions fair at CHRISTIES 17-20 October 2014

The Multiple Store is pleased to be participating for the fifth successive year in MULTIPLIED Contemporary Art in Editions Fair, hosted by Christie’s.

You will find us on Stand 2.

Multiplied art fair at ChristiesMultiplied is the UK’s only fair devoted exclusively to contemporary art in editions. Hosted annually by Christie’s South Kensington it takes place during Frieze week and offers a rich programme of talks and workshops for art lovers and connoisseurs alike. The fair encompasses print, digital art and multiples, artist’s books and photographs, reflecting the whole spectrum of contemporary publishing, from established galleries representing high profile artists to start-up spaces and artists’ collectives. Multiplied offers an exclusive opportunity to both art lovers beginning a new collection and more established collectors looking for something unique.

 

PUBLIC VIEWING
Oct 17, 9am – 7pm
Oct 18, 11am – 7pm
Oct 19, 11am – 6pm
Oct 20, 9am – 5pm

Admission to Multiplied is free.

VISITING THE FAIR
Situated in the heart of London, Multiplied is easily accessible from all the major galleries in Mayfair as well as Frieze Art Fair in Regent’s Park.

FAIR LOCATION
Christie’s South Kensington
85 Old Brompton Road
London SW7 3LD

HOW TO GET THERE
By tube: South Kensington
By bus: 74, 414, 14, 345, C1

WEBSITE
www.christies.com/multiplied

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Sarah Staton at the Folkestone Triennial until 2 November 2014

Sarah Staton is exhibiting at the Folkestone Triennial until 2 November 2014. For Folkestone, Staton has developed Steve, conceived as a ‘people friendly sculpture’ or a personified sculptural pavilion, and placed on The Stade. The Stade was originally a working area alongside ships berthing in the harbour, but now for the most part it has been given over to leisure and tourism. This location provides a great home for Steve, conceived as a monument to a person of the future. Click here to read more.

Sarah Staton: Post Pop HamburgerSarah Staton’s edition for The Multiple Store is Post Pop Hamburger, a multiple first cast in bronze and subsequently chrome-plated where Staton reflects on the hamburger as the quintessential consumer symbol emanating from post-war American culture. This is America in its heyday when everyone believed in the Dream. Click here to read more about this edition.

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